The War I Finally Won
The War I Finally Won
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Annotation: As the frightening impact of World War II creeps closer and closer to her door, eleven-year-old Ada learns to manage life on the home front.
Catalog Number: #6091052
Format: Publisher's Hardcover
All Formats: Search
Publisher: Dial
Copyright Date: 2017
Edition Date: 2017
Pages: 385 pages
Availability: Available
ISBN: 0-525-42920-4
ISBN 13: 978-0-525-42920-3
Dewey: Fic
LCCN: 2017009695
Dimensions: 22 cm.
Language: English
Reviews:
ALA Booklist
In this sequel to Bradley's Newbery Honor Book The War That Saved My Life (2015), Ada finally gets the surgery she needs to repair the clubfoot that limited her mobility and made her believe she was unworthy of love. Now she can walk en run! etter than ever, though she has other wounds to heal; namely, the trauma wrought by her neglectful, abusive mother. Meanwhile, a German Jewish refugee, Ruth, is living with Ada, Susan, and Jamie; Lady Thornton is pricklier than ever; and Ada finds herself struggling to fully comprehend the complex emotions of the adults around her. In an episodic structure, Bradley movingly narrates Ada's gradual emotional growth against the backdrop of WWII, as she comes to trust her friends and family and relinquish some of her need to be in control. Bradley is perhaps at her best when describing Ada's love of horses and the therapeutic effect the animals have on her and Ruth, who's facing prejudice in England and fearing for her family back in Germany. A bittersweet story with a triumphant conclusion.
Horn Book
This sequel to The War That Saved My Life sees Ada's club foot finally corrected and she, younger brother Jamie, and guardian Susan back in their village. Throughout many WWII English homefront events, both mundane and dramatic, runs the thread of Ada's emotional healing as she grows into the young woman she wants to be. Bradley raises hard questions and makes us think--even as she moves us to tears.
Kirkus Reviews
Ada returns in this sequel to Newbery Honor book The War That Saved My Life (2015).Shortly after the events that closed the last book, a successful surgery means overjoyed 11-year-old, white Ada no longer has a clubfoot. She can walk, run, and ride relatively pain-free, but pain returns in a different way: Ada's abusive birth mother has been killed in an air raid. Enough back story is provided that readers new to Ada's story won't be lost. Patient Susan, providing a home to Ada and her little brother, Jamie, during the Blitz, becomes their legal guardian, but Ada, damaged by 10 years of abuse, doesn't ever feel safe. Living in the midst of a world war only adds to Ada's constant worries, and from blackout screens to rations, the stress and strain felt in everyday Kent during World War II is plain. But Ada finds comfort in her horse, Butter, and her family, which grows to include privileged Lady Thorton and Ruth, a teenage, Jewish German refugee. Ada's struggles with her trauma are portrayed with such incredible nuance and heart-wrenching realism that readers are sure to empathize deeply and revel in the joy of watching thoughtful, introspective Ada heal and grow. When tragedy strikes, all suffer, but Ada is able to help another in greater anguish than herself thanks to lessons from her own painful past. Thoughtful, brave, true, and wise beyond her years, Ada is for the ages—as is this book. Wonderful. (Historical fiction. 10-14)
Publishers Weekly
Bradley picks up directly after the events of her Newbery Honor-winning The War That Saved My Life, which introduced tenacious Ada who-after years of mistreatment from her mother because of her club foot-summoned the determination to carve out a better life for herself amid the onset of WWII. The war affects 11-year-old Ada more directly now, as she, her younger brother, and their guardian Susan reunite with the prim Lady Thorton, her daughter Maggie, and their family, and Ada undergoes a surgery that allows her better use of her foot. These familiar characters are joined by Ruth, a 16-year-old Jewish German refugee, who has been separated from her family, including a grandmother detained in a concentration camp. Ada and Ruth-s interactions, which begin warily and flourish into sisterhood and trust, portray a perceptive look into othering; it-s Ada who first sees Ruth is more than her German heritage. Bradley sensitively portrays Ada-s journey to accept selfless kindness and love after years of neglect in a poignant and satisfying story of found family that will stay with readers. Ages 9-12. Agent: Ginger Knowlton, Curtis Brown. (Oct.)
School Library Journal Starred Review
Gr 46Eleven-year-old Ada picks up her story shortly after The War That Saved My Life left off. She's in the hospital, nervously awaiting the surgery that will fix her club foot, when Susan receives a letter from Lady Thornton that obviously upsets her. Turns out, Ada's mother was killed in a bombing. Ada does not know how to feel about that, but, ever practical, she worries about where that leaves her and brother Jamie now that they are war orphans instead of child evacuees. Despite Susan's assurances that the three of them are family now, Ada remains prickly and irritable, particularly when Jamie falls easily into calling Susan "Mum." The three move into a cottage on the Thornton estate and are soon joined by Lady Thornton when the big house is needed for the war effort. Ada is leery of Lady Thornton, but living in close quarters brings out the best and worst in everyone, especially when Lord Thornton arrives with a German Jewish girl named Ruth whom he wishes Susan to tutor. Ada's unique voice helps evoke the novel's vivid setting and numerous complex characters. There is destitution but plenty of humor. There is also plenty of heartbreak and loss, so readers will want to keep a box of tissues handy. VERDICT Fans of the first book will love the sequel even more; truly a first purchase. While it stands alone, encourage readers to read both books to fully appreciate Ada's remarkable and wholly believable triumph.Brenda Kahn, Tenakill Middle School, Closter, NJ
Starred Review for Kirkus Reviews
Ada returns in this sequel to Newbery Honor book The War That Saved My Life (2015).Shortly after the events that closed the last book, a successful surgery means overjoyed 11-year-old, white Ada no longer has a clubfoot. She can walk, run, and ride relatively pain-free, but pain returns in a different way: Ada's abusive birth mother has been killed in an air raid. Enough back story is provided that readers new to Ada's story won't be lost. Patient Susan, providing a home to Ada and her little brother, Jamie, during the Blitz, becomes their legal guardian, but Ada, damaged by 10 years of abuse, doesn't ever feel safe. Living in the midst of a world war only adds to Ada's constant worries, and from blackout screens to rations, the stress and strain felt in everyday Kent during World War II is plain. But Ada finds comfort in her horse, Butter, and her family, which grows to include privileged Lady Thorton and Ruth, a teenage, Jewish German refugee. Ada's struggles with her trauma are portrayed with such incredible nuance and heart-wrenching realism that readers are sure to empathize deeply and revel in the joy of watching thoughtful, introspective Ada heal and grow. When tragedy strikes, all suffer, but Ada is able to help another in greater anguish than herself thanks to lessons from her own painful past. Thoughtful, brave, true, and wise beyond her years, Ada is for the ages—as is this book. Wonderful. (Historical fiction. 10-14)
Word Count: 67,377
Reading Level: 3.7
Interest Level: 4-7
Accelerated Reader: reading level: 3.7 / points: 9.0 / quiz: 191229 / grade: Middle Grades
Reading Counts!: reading level:4.1 / points:15.0 / quiz:Q72106
Lexile: HL520L

Chapter 1

 

You can know things all you like, but that doesn't mean you believe them.

"Ada! You need to drink something!" Susan's voice, scolding. Susan's hands, pushing a cup of cold tea into mine.

"I don't want to," I said. "Really I don't."

Susan curled my fingers around the teacup. "I understand," she said, "but please try. It's the last thing they're going to let you have. You'll be thirsty in the morning."

My right foot was twisted sideways at the ankle. It had been all my life. My ankle bones grew curled, so my toenails scraped the ground and what should have been the bottom of my foot faced the sky. Walking hurt like anything. Despite the calluses, the skin on my foot tore and bled.

This night in the hospital--nearly three years ago now--was September 16, 1940. A Monday. It was a little over a year into the war between Hitler and most of the rest of the world. Eleven years into the war between the rest of the world and me.

The very next day surgeons were going to chop my curled ankle bones up and rearrange them. Maybe into something like a functional foot.

I put the teacup Susan gave me to my lips. I forced myself to sip. My throat closed. I choked. Tea splattered across the bedcovers and my tray.

Susan sighed. She mopped up the spilled tea, then motioned for one of the nurses that was putting up the blackout to come take away my tray.

Since the start of the war, we covered our windows with blackout screens every night, so that German bombers wouldn't be able to aim at our lights. My hospital wasn't in London, which was getting bombed every night right now, but that didn't mean it wouldn't be hit. You never could tell what Germans would do.

"Letter for you, Mum," the nurse said, handing Susan an envelope as she scooped up the tray.

"Delivered to the hospital? How odd." Susan opened it. "It's from Lady Thorton." She unfolded the letter inside. "She must have sent it before she got my note with the boardinghouse's address. Ada, are you quite sure you don't want something to eat? Toast?"

I shook my head. The mouthful of tea I'd swallowed swirled in my stomach. "I think I'm going to be sick."

Susan gasped. She looked up at me, snatched a basin from the bottom shelf of my bedside table, and thrust it beneath my chin. I clenched my teeth and held everything in.

Susan's hand shook. The basin shook too. I looked at her face. She'd gone pale, her eyes dark and wide.

"What's wrong?" I asked. "What does that letter say?"

"Nothing," she said. "Breathe deep. That's it." She put the basin down, folded Lady Thorton's letter, and tucked it into her handbag.

Something was wrong. I could see it on her face. "Is it Butter?" I asked.

"What?"

"Has something happened to Butter?" Butter was Susan's pony. I loved him. He was staying in Lady Thorton's stables while I was in hospital.

"Oh," Susan said. "No. That is, Lady Thorton didn't mention Butter, but she would have if anything were wrong."

"Maggie?" Maggie was Lady Thorton's daughter, my best friend.

"Maggie's fine," Susan said. Her hands still shook very slightly. Her eyes didn't look right. "Everyone's fine in the village."

"And Jamie's fine," I said. It was a statement, not a question, because it had to be true. My brother Jamie wasn't in the village--he was here with us. Susan and Jamie and Bovril, Jamie's cat, were staying in a rented room in a boardinghouse near the hospital. Jamie was there with the landlady now.

Jamie was six years old. We'd guessed he was seven, but we had his birth certificate now and he wasn't, not quite.

I was eleven. I had my birth certificate too. I'd known my real birthday for just over a week.

Susan nodded. "Jamie's fine."

I took a deep breath. "Is something stopping my surgery?" Before last week, when Mam tried to snatch us away from her, Susan had said she couldn't give permission for me to have surgery. She still couldn't give permission, but she didn't care anymore. She said that what was right and what was permitted were sometimes different things. I needed surgery and I was going to have it.

I didn't ask questions.

Susan smoothed my hair back from my forehead. I pulled away. "I won't let anything stop your surgery," she said.

There was still something off about her voice and expression. I knew it had to do with Lady Thorton's letter. Lady Thorton could upset just about anyone. When I'd first met her, before I knew her name, I called her the iron-faced woman. She was sharp like an ax.

Lady Thorton couldn't meddle with us here. We'd lost everything inside Susan's house, but I still had Jamie, Susan, Bovril, and Butter. And surgery tomorrow. It was more than enough.

 

You can know things all you like, but that doesn't mean you believe them.

A little over a year ago, I'd taught myself to walk in Mam's one-room London flat. I kept it secret, wiping up the blood before Mam came home every day. I'd only wanted to be able to leave the flat, not the city, but learning to walk saved me. When Mam sent Jamie away from London with all the other kids, because of Hitler's bombs, I snuck out too. We ended up with Susan and Butter in a seaside village, in Kent.

Susan didn't want us then. We didn't want her either, but I wanted her pony, and Jamie and I both liked her food and eventually we all three wanted to stay with each other. Of course that was when Mam showed up to take us back. Only a week ago, that was. Susan decided to fight for us. She followed us to London, which meant we were all away from Susan's house the night German bombers destroyed it entirely. So the worst thing--Mam's return--became the best thing--not dying from the bombs.

Now everyone was acting like my surgery tomorrow would be the best thing ever, which made me worry it might turn out bad. Susan said it couldn't be bad. She said she hoped my foot would work properly after the surgery, but if it didn't I would be fine. I was fine now and I would be fine afterward, no matter what.

Maybe.

Depended entirely on what you meant by fine.

We were still in a war. The nurses claimed they'd be able to get all the patients into the basement quickly enough if the air raid sirens went off. They hadn't had to do it yet, so who knew if they really could.

Susan leaned forward. She hugged me. It was awkward for us both. I let out my breath. My stomach still churned. "Don't worry," Susan said. "I'll see you in the morning. Go to sleep."

 

I couldn't sleep but the night passed anyhow. In the morning Susan held my hand while a nurse wheeled my bed down the hall. We stopped outside a heavy white door. The nurse said to Susan, "This is as far as you can go."

I hadn't realized Susan would have to leave me. I clung to her. "What if it doesn't work?"

For a moment her fingers tightened around mine. "Courage," she said, and let go.

 

In the operating theater a man in a long gown held a mask in front of my face. "When I put this over your mouth," he said, "I want you to very slowly count to ten."

I only made it to four before I fell asleep.

 

Coming out of the ether was harder. My right leg was pinned, trapped. I couldn't move. I broke into a sweat struggling to pull myself free. I'd been caught in a bombing, buried in rubble. I couldn't move my leg. Then somehow I was trapped again in the dank cabinet beneath the sink, in our old flat in London. Mam had locked me inside. The cockroaches--

"Shh." Susan's voice, soft in my ear. "Settle down. It's over. You're fine."

I was not fine. Not in the cabinet, not with Mam--

Someone pinned my arms. Threw a blanket over me, tucked it tightly around my sides. "Open your eyes," Susan's voice said, still gentle. "The surgery's over."

I opened my eyes. Susan's face swam blurrily in front of me. "You're safe," she said.

I swallowed hard. I said, "You're lying."

"I'm not."

"I can't move my leg. My right leg. My clubfoot leg--"

"You haven't got a clubfoot," Susan said. "Not anymore."

 

I woke properly in the middle of the night. Screens surrounded my bed. A dim light shone behind them. "Susan?" I whispered.

One of the night nurses came to my bedside. "Thirsty?" she asked. I nodded. She poured me water and I drank. "How badly does it hurt?"

I couldn't move my right leg because the doctors had put a cast on it after the surgery. I remembered that now. Beneath the plaster, a strong dull ache centered around my right ankle and pulsed toward my knee. "I don't know," I said. "It always hurts."

"More than you can bear?"

I shook my head. I could bear almost anything.

The nurse smiled. "That's right," she said. "Your mother said you were a tough one." She handed me a pill. "Swallow this."

I said, "Susan's not my mother." Thank God for that. I swallowed the pill and fell back asleep.

 

When I opened my eyes again Jamie's face was inches from mine. His hair looked like it hadn't been brushed in weeks. His eyes were red and swollen. He was crying. I pushed myself up in a panic. "What's wrong?"

Jamie launched himself onto the bed. He banged into my cast. I winced.

"Easy," Susan said, pulling him back.

Jamie burrowed against me.

I put my arms around him and looked over his head to Susan. "Tell me what's wrong," I said.

"It was in Lady Thorton's letter," Susan answered.

I nodded. I knew that.

Jamie said, "Our mam's dead."

 

You can know things all you like, but that doesn't mean you believe them.

 

Chapter 2

 

I knew my mother--Mam--worked nights in a munitions factory in London. I knew bombs were falling on London now, every single night in fierce, horrendous waves. I knew the Germans targeted factories, especially munitions ones. I'd been caught in a bombing raid myself. Brick walls exploded above my head. Afterward shattered glass drifted across the streets like snow.

So I knew Mam could die. I just didn't believe it. Even despite all the bombs. I thought Mam would live forever.

I thought Jamie and I would never be free.

I hugged Jamie. He sobbed. He thunked my cast again. I managed not to scream.

Susan tucked a pillow between Jamie and my cast. She eased herself onto the corner of the bed. She rubbed Jamie's back.

"Is it real?" I asked.

"It's real," she said.

"Really real?"

"I'm sorry," Susan said.

I said, "Are you sorry?"

Was I sorry? I supposed I was. Maybe? My mother hated me.

You'll never see us again, I'd said to her, a week ago in London. She'd said back, Is that a promise?

Now it was.

"This isn't a happy ending," Susan said. "It's not the worst possible ending, but it isn't happy, and I'm sorry for that. I am grateful to have an ending, though. Your mother can't hurt you anymore."

"No." I don't know whether Mam and I could have had a happy ending. I always hoped so--of course I did, she was my mother--but it was another thing I didn't fully believe. I turned to Jamie. "Why are you sad? Mam hated us. She said so."

Jamie sobbed harder. "I loved her," he said.

Jamie was nicer than me. He probably did love Mam. I didn't. I wished I did. I wished like anything she loved me.

I looked at Susan again. "How am I supposed to feel?" A good daughter would feel sad, I supposed. But if Mam was dead, then I was no longer anyone's daughter.

I wasn't sad. I wasn't happy. Or angry. Or anything.

Susan's hand clasped mine over Jamie's narrow back. "However you feel is fine."

"Is there a word for feeling nothing?"

"Yes," Susan said. "Stunned. I felt stunned when I first heard my mother died."

I looked at her. "When did your mam die?"

"A few years ago. Several months before Becky."

Becky, Susan's very best friend, died of pneumonia three years before the war. I knew that. They had lived together; Susan's bombed house had belonged to Becky first, and it was Becky who gave Susan Butter.

"Both deaths were hard," Susan said. "My feelings about my mother's were more complicated."

I let go of Susan's hand. "How did Lady Thorton know about Mam?" Before last week, we'd heard nothing from Mam for an entire year, not one word despite all the letters Susan and I wrote her, until she showed up in person to drag me and Jamie back to London.

"I'd given the WVS your mother's new address," Susan said. "One of the WVS groups in London contacted Lady Thorton. I suppose they're monitoring casualty lists."

The WVS was the Women's Volunteer Service. They did war work. Susan was part of our village's WVS. Lady Thorton was its head, which made her in charge of evacuees like Jamie and me.

Susan reached for my hand again. I pulled it away. Jamie kept crying. I wanted to comfort him, but my insides felt hollow. I didn't know what Jamie and I were, if Mam was dead. Could we still stay with Susan? Were we still evacuees?

"What happens next?" I asked.

Susan paused. "I don't know," she said. "I'll ask Lady Thorton about the arrangements."

I blinked.

My heart stuttered.

It wasn't the answer I expected.

It wasn't the answer I wanted.

Arrangements.

The word came ringed with worry. It arrived on a wave of panic. It fell to the pit of my stomach. Where had I heard that word before?

Susan didn't say, Don't worry. She didn't say, Of course you'll live with me. She didn't say, I'll make sure you're taken care of.

She had said all those things the day she rescued us from Mam for the second time, the day her house was bombed. She said we'd stay together always.

I'd believed her.

Had she been lying? Or did everything change because Mam died?

"Is there a word that means children with dead parents?" I asked.

Susan swallowed. She said, "Orphans."

Orphans. Jamie and I were orphans now, not evacuees. We wouldn't stay under Lady Thorton's protection. Susan wouldn't be able to keep us. Something different happened to orphans.

Pain gripped my gut. It hurt worse than my foot ever had. I tightened my arms around Jamie. I would hang on to him no matter what. I would never let us be separated.

"I'll be walking soon," I said. "I'll be very useful then."

Susan blinked. "Your recovery will take a few months," she said. "You know that."

I said, "I'm very hardworking."

"Yes, you are," Susan said. "But you won't heal faster because of it. I don't know if you'll be allowed to leave the hospital, whatever else happens."

"Do I have to leave right away?" This day grew worse and worse.

"No, no, of course not." Susan sounded distracted. "I only mean for the funeral. If we have one. Whatever we do."

Funeral. Another word I didn't understand. Even after a year of living with Susan there were so many things I didn't understand. Mam hadn't been much for words, and there was a limit to how much I could teach myself, looking out the one window of our flat.

Arrangements. "Line up against that wall," Lady Thorton had said last September, in her crisp head-of-the-WVS voice. "We're going to make arrangements."

We'd just come off the train that had evacuated us to the village from London. A whole herd of dirty, shabby children, and Jamie and me the most wretched-looking of all. I was nearly done in from the effort of getting away, my clubfoot oozing blood and hurting so badly my knees shook. The villagers filed past us, looking us up and down.

No one wanted Jamie and me.

I was back to that place now, only cleaner and with my right foot in plaster.

"You'd better go," I said, turning my back on Susan. "You'll need to start making arrangements."



Excerpted from The War I Finally Won by Kimberly Brubaker Bradley
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

New York Times bestseller

Like the classic heroines of Sarah, Plain and TallLittle Women, and Anne of Green Gables, Ada is a fighter for the ages. Her triumphant World War II journey continues in this sequel to the Newbery Honor–winning The War that Saved My Life

 
When Ada’s clubfoot is surgically fixed at last, she knows for certain that she’s not what her mother said she was—damaged, deranged, crippled mentally as well as physically. She’s not a daughter anymore, either. Who is she now?
 
World War II rages on, and Ada and her brother, Jamie, move with their guardian, Susan, into a cottage with the iron-faced Lady Thorton and her daughter, Maggie. Life in the crowded home is tense. Then Ruth moves in. Ruth, a Jewish girl, from Germany. A German? Could Ruth be a spy?

As the fallout from war intensifies, calamity creeps closer, and life during wartime grows even more complicated. Who will Ada decide to be? How can she keep fighting? And who will she struggle to save?
 
Ada’s first story, The War that Saved My Life, was a #1 New York Times bestseller and won a Newbery Honor, the Schneider Family Book Award, and the Josette Frank Award, in addition to appearing on multiple best-of-the-year lists. This second masterwork of historical fiction continues Ada's journey of family, faith, and identity, showing us that real freedom is not just the ability to choose, but the courage to make the right choice.

"Honest . . . Daring." 
The New York Times 
"Stunning."
 —The Washington Post
★ "Ada is for the ages—as is this book. Wonderful."
 —Kirkus, starred review
★ "Fans of the first book will love the sequel even more." —SLJ, starred review
★ "Bradley sweeps us up . . . even as she moves us to tears." —The Horn Book, starred review
★ "Perceptive . . . satisfying . . . will stay with readers." —PW, starred review
"Beautiful." —HuffPost


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