Who Was Maria Tallchief?
Who Was Maria Tallchief?
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Series: Who Was?   
Annotation: A biography of the Osage Indian ballerina whose love of dance took her from a life on a reservation to a career on the stage.
Genre: [Biographies]
Catalog Number: #328942
Format: Perma-Bound Edition
Special Formats: Chapter Book Chapter Book
Common Core/STEAM: Common Core Common Core
Publisher: Grosset & Dunlap
Copyright Date: 2002
Edition Date: 2013
Illustrator: Taylor, Val Paul,
Pages: 103 pages
Availability: Available
ISBN: Publisher: 0-448-42675-7 Perma-Bound: 0-605-34157-5
ISBN 13: Publisher: 978-0-448-42675-4 Perma-Bound: 978-0-605-34157-9
Dewey: 921
LCCN: 2002003909
Dimensions: 20 cm.
Language: English
Reviews:
Horn Book
These short, illustrated books capture the lives of famous individuals with accessible prose. Each book spends considerable time explaining the childhood experiences of its subject and manages to give readers a sense of the individual's personality and motives. All but Tallchief and Houdini have bibliographies. Timeline. [Review covers these Who Was...? titles: Who Is Maria Tallchief?, Who Was Amelia Earhart?, Who Was Harriet Tubman?, Who Was Wolfgang Amadeus Mozart?, and Who Was Harry Houdini?.]
Reviewing Agencies: - Find Other Reviewed Titles
Horn Book (8/1/03)
Word Count: 9,093
Reading Level: 5.1
Interest Level: 4-7
Accelerated Reader: reading level: 5.1 / points: 1.0 / quiz: 61653 / grade: Middle Grades
Reading Counts!: reading level:5.3 / points:5.0 / quiz:Q40433
Lexile: 740L
Guided Reading Level: R
Fountas & Pinnell: R

Who Was
Maria Tallchief?

Who Was
Maria Tallchief?

Who Was Maria Tallchief?

Maria Tallchief was a ballerina, but she was not just another toe-dancer. She was America’s first prima ballerina. A prima ballerina is the star of the show, the very best dancer on the stage. Maria danced for kings and queens and presidents. She thrilled her audiences with amazing leaps and arabesques. Her performances as a swan queen, a sugar plum fairy, and a magical firebird stand out as some of the most beautiful chapters in American ballet history.

She was a Native American, the daughter of a full-blooded Osage. Maria’s story begins on the Osage reservation in the rolling hills of northeastern Oklahoma. As a child, the beat of the tom-toms excited her. The rhythm of the drums filled the hollow of her bones. The songs of her people’s past woke within her a love of dance and the prima ballerina she would one day become.

Chapter 1
The Osage Reservation

Maria opened her eyes. She had fallen asleep in the living room, and now her father was carrying her upstairs. She snuggled closer against his warm body and stared at his shiny black hair. His dark eyes smiled down at Maria.

Maria’s first memory was that tender moment, waking to find herself safe in her father’s arms. She was three years old, and her father seemed like a giant to her. Alexander Joseph Tall Chief was six feet two inches. He had broad shoulders and a swaggering confidence that had won the heart of Ruth Porter, a farm girl from Kansas. He was Osage. She was Scottish and Irish. They were married soon after meeting in the small town of Fairfax, Oklahoma.

Maria came into the world on a cold winter day, January 24, 1925. Her parents named her Betty Marie, after her two grandmothers, Elizabeth, “Eliza,” Tall Chief and Marie Porter. Maria had an older brother named Jerry. When Maria was almost two years old, her sister Marjorie was born. The Tall Chief family lived in a ten-room, red-brick house on a hill overlooking the Osage reservation.

The Osage hills were a magical place for Maria. The prairie grasses bowed their heads and whispered in the wind. Wildflowers bloomed goldenrod yellow and daisy white. Butterflies and the songs of meadowlarks filled the air. In summer, Maria hunted through the high grasses for arrowheads. The sharp tips of stone were bits of Osage history. Whenever she found one, she said, shivers raced up her spine.

The Osage had lived on the plains of North America for many hundreds of years. Before the white settlers came, the prairie was a sea of grasses so tall that an Osage hunter had to stand on the back of his pony to see what lay beyond. The brown clouds and thunder in the distance were herds of buffalo. The Osage called these bearded animals “brothers.”

The white settlers, whom the Osage called “Heavy Eyebrows,” changed the land and the lives of the native people forever. Heavy Eyebrows plowed under the sweet-smelling grasses to farm the land. They slaughtered and skinned the buffalo, sending the woolly hides back East on the railroads that they had built across the plains. In some places along the iron rails, mounds of buffalo bones rose almost as high as the ancient prairie grasses.

The government of the white settlers forced the Osage onto reservations, first in the country Heavy Eyebrows called Kansas, then to a new place called Oklahoma. The Osage were hunters and gatherers. Without the buffalo,they could not hunt. Heavy Eyebrows wanted the Osage to become farmers. Year after year they scratched a living from the baked-red soil, but the crops they grew were not enough. The Osage were a proud people. Now they were starving. They had no choice but to accept the handouts of food and supplies from the white government agents.



Excerpted from Who Was Maria Tallchief? by Catherine Gourley
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Born in 1925, Maria Tallchief spent part of her childhood on an Osage reservation in Oklahoma. With the support of her family and world-renowned choreographer George Balanchine, she rose to the top of her art form to become America's first prima ballerina. Black-and-white illustrations provide visual sidebars to the history of ballet while taking readers through the life of this amazing dancer.


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