The Girl Who Drank the Moon
The Girl Who Drank the Moon

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Annotation: A young girl raised by a kindly witch must unlock the powerful magic buried deep inside her when a young man on a misguided mission threatens the lives of those she loves.
Catalog Number: #129612
Format: Perma-Bound Edition from Publisher's Hardcover
All Formats: Search
Common Core/STEAM: Common Core Common Core
Publisher: Workman Pub. Co.
Copyright Date: 2016
Edition Date: 2016
Pages: 388 pages
Availability: Available
ISBN: Publisher: 1-616-20567-9 Perma-Bound: 0-605-95692-8
ISBN 13: Publisher: 978-1-616-20567-6 Perma-Bound: 978-0-605-95692-6
Dewey: Fic
LCCN: 2016006542
Dimensions: 21 cm.
Subject Heading:
Language: English
Horn Book
Every year, the Protectorate elders leave a baby in the woods to appease a witch no one has seen. In fact, the witch rescues and finds homes for the babies; she even adopts one, the particularly magical Luna. Barnhill's fantasy has a slightly ungainly plot, but in theme and emotion, it is focused: love--familial, maternal, filial, friendly--is its engine and moral.
Publishers Weekly
Xan, a kindhearted witch, lives in the woods with an erudite swamp monster, Glerk, and a lovable -Perfectly Tiny Dragon,- Fyrian. Every year she finds a new home for a baby the sorrowful people of the Protectorate leave in the woods on the Day of Sacrifice. One year, she accidentally -enmagicks- a baby with moonlight, so the three decide to raise her as their own, their Luna. But Luna-s magic is strong, and before her 13th birthday, events unfold that will change everything she has known. Barnhill (The Witch-s Boy) crafts another captivating fantasy, this time in the vein of Into the Woods. Via intricately woven chapters that follow Luna, her unusual family, the devious Grand Elder of the Protectorate, his honorable nephew and niece, the mysterious Sister Ignatia, and a sympathetic -madwoman- in a tower, Barnhill delivers an escalating plot filled with foreshadowing, well-developed characters, and a fully realized setting, all highlighting her lyrical storytelling. As the characters search for family, protect secrets, and seek truth, they realize that anything can happen in the woods-when magic is involved. Ages 10-up. Agent: Steven Malk, Writers House. (Aug.)

School Library Journal Starred Review
Gr 46 Once a year in the Protectorate there is a Day of Sacrifice. The youngest baby is taken by the Elders and left in the forest to die, thus appeasing the witch who threatens to destroy the village if not obeyed. Unbeknownst to the people, Xan, the witch of the forest, is kind and compassionate. When she discovers the first baby left as a sacrifice, she has no idea why it has been abandoned. She rescues the infants, feeds each one starlight, and delivers the shining infants to parents in the Outside Cities who love and care for them. On one occasion, Xan accidentally feeds a baby moonlight along with starlight, filling her with glowing magic. Xan is smitten with the beautiful baby girl, who has a crescent moon birthmark on her forehead, and chooses to raise her as her own child. Twists and turns emerge as the identity of the true evil witch becomes apparent. The swiftly paced, highly imaginative plot draws a myriad of threads together to form a web of characters, magic, and integrated lives. Spiritual overtones encompass much of the storytelling with love as the glue that holds it all together. VERDICT An expertly woven and enchanting offering for readers who love classic fairy tales. D. Maria LaRocco, Cuyahoga Public Library, Strongsville, OH
Starred Review for Kirkus Reviews
An elderly witch, a magical girl, a brave carpenter, a wise monster, a tiny dragon, paper birds, and a madwoman converge to thwart a magician who feeds on sorrow.Every year Elders of the Protectorate leave a baby in the forest, warning everyone an evil Witch demands this sacrifice. In reality, every year, a kind witch named Xan rescues the babies and find families for them. One year Xan saves a baby girl with a crescent birthmark who accidentally feeds on moonlight and becomes "enmagicked." Magic babies can be tricky, so Xan adopts little Luna herself and lovingly raises her, with help from an ancient swamp monster and a chatty, wee dragon. Luna's magical powers emerge as her 13th birthday approaches. Meanwhile, Luna's deranged real mother enters the forest to find her daughter. Simultaneously, a young carpenter from the Protectorate enters the forest to kill the Witch and end the sacrifices. Xan also enters the forest to rescue the next sacrificed child, and Luna, the monster, and the dragon enter the forest to protect Xan. In the dramatic denouement, a volcano erupts, the real villain attempts to destroy all, and love prevails. Replete with traditional motifs, this nontraditional fairy tale boasts sinister and endearing characters, magical elements, strong storytelling, and unleashed forces. Luna has black eyes, curly, black hair, and "amber" skin. Guaranteed to enchant, enthrall, and enmagick. (Fantasy. 10-14)
Starred Review ALA Booklist
*Starred Review* Every year, the elders of the Protectorate sacrifice a baby to appease an evil witch ough, in truth, it's a facade to subdue the populace. Xan, the witch in question, actually rescues each baby and finds families for them. One time, however, Xan accidentally feeds moonlight to the baby, which fills her with magic. Xan thereupon adopts her, names her Luna, and raises her with the help of a swamp monster and a tiny dragon. Luna's magic grows exponentially and causes such havoc that Xan casts a spell to suppress it until Luna turns 13. But the spell misfires, clouding Luna's mind whenever magic is mentioned, making proper training impossible. As the fateful birthday approaches, Xan fears dying before she can teach Luna everything she needs to know. Meanwhile, in the Protectorate, a young couple dares to challenge the status quo, a madwoman trapped in a tower escapes by way of paper birds, and a truly evil witch is revealed. Barnhill's latest, told in omniscient point of view, is rich with multiple plotlines that culminate in a suspenseful climax, characters of inspiring integrity (as well as characters without any), a world with elements of both whimsy and treachery, and prose that melds into poetry. A sure bet for anyone who enjoys a truly fantastic story.
Voice of Youth Advocates
Every year the Elders say the newest-born baby must be abandoned in the forest or a witch will destroy the village. The Elders are only protecting their own power, but a darker evil lives within their midst. The witch delivers those mysteriously abandoned babies to loving families on the other side of the forest until she accidentally "enmagics" baby Luna and raises her as her own with the help of a swamp monster and a Perfectly Tiny dragon. Luna's magic is so powerful and uncontrollable that the witch casts a spell that hides all magic from Luna until she turns thirteen. As Luna approaches her thirteenth birthday, events start to rumble toward eruption, just like the volcano she lives upon.Though Luna is at the center of it all, this richly imagined, many-layered tale is beautifully crafted with multiple significant characters, story lines, and viewpoints. It is a coming-of-age story for Luna, but it is also a tale of family (of choice and of birth), friendship, and following one's heart. The complexity of the world and the deep roots of its troubles and hopes are hinted at in snippets of storytelling, memories, and poetry before they come into play in the unexpected twists and turns of the plot. Subtly nuanced, the story swirls around issues of sacrifice and forgiveness without ever becoming didactic. Barnhill has created an original fairy tale that will stand up to the multiple readings it will engender.Elizabeth Matson.
Word Count: 83,254
Reading Level: 4.8
Interest Level: 4-7
Accelerated Reader: reading level: 4.8 / points: 12.0 / quiz: 183878 / grade: Middle Grades
Reading Counts!: reading level:4.7 / points:20.0 / quiz:Q69361
Lexile: 640L


There is a witch in the woods. There has always been a witch.

Will you stop your fidgeting for once? My stars! I have never seen such a fidgety child.

No, sweetheart, I have not seen her. No one has. Not for ages. We've taken steps so that we will never see her.

Terrible steps.

Don't make me say it. You already know, anyway.

Oh, I don't know, darling. No one knows why she wants children. We don't know why she insists that it must always be the very youngest among us. It's not as though we could just askher. She hasn't been seen. We make sure that she will not be seen.

Of course she exists. What a question! Look at the woods! So dangerous! Poisonous smoke and sink holes and boiling geysers and terrible dangers every which way. Do you think it is so by accident? Rubbish! It was the Witch, and if we don't do as she says, what will become of us?

You really need me to explain it?

I'd rather not. She'll kill us all or enslave us all, but in the end it doesn't matter either way. We do our duty. We turn off our hearts. Nothing matters, child. You have to understand that.

Oh, hush now, don't cry. It's not as though the Council of Elders is coming for you, now is it. You're far too old.

From our family?

Yes, dearest. Ever so long ago. Before you were born. He was a beautiful boy.

Now finish your supper and see to your chores. We'll all be up early tomorrow. The Day of Sacrifice waits for no one, and we must all be present to thank the child who will save us for one more year.

Your brother? No. Of course I didn't fight for him. How could I? If I had, the Witch would have killed us all and then where would we be? Sacrifice one or sacrifice all. That is the way of the world. We couldn't change it if we tried.

Enough questions. Off with you. Fool child.


GRAND ELDER GHERLAND TOOK his time that morning. The Day of Sacrifice only came once a year, after all, and he liked to look his best during the sober procession to the cursed house, and during the somber retreat. He encouraged the other Elders to do the same. It was important to give the populace a show.

He carefully dabbed rouge on his sagging cheeks and lined his eyes with thick streaks of kohl. He checked his teeth in the mirror, ensuring they were free of debris or goop. He loved that mirror. It was the only one in the Protectorate. Nothing gave Gherland more pleasure than the possession of a thing that was unique unto him. He liked being special.

In truth, the Grand Elder had ever so many possessions that were unique in the Protectorate. It was one of the perks of the job.
The Protectorate--called the Cattail Kingdom by some and the City of Sorrows by others--was sandwiched between a treacherous forest on one side and an enormous bog on the other. It was from the bog where most people in the Protectorate drew their livelihoods. There was a future in bogwalking, mothers told their children. Not much of a future, you understand, but it was better than nothing. The bog was full of Zirin shoots in the spring and Zirin flowers in the summer and Zirin bulbs in the fall--in addition to a wide array of medicinal and borderline magical plants that could be harvested, prepared, treated, and sold to the traders from the other side of the forest, who in turn transported the fruits of the bog to the Free Cities, far away. The forest itself was terribly dangerous, and navigable only by the Road.

And the Elders owned the Road.

Which is to say that Grand Elder Gherland owned the Road, and the other Elders simply had their cut. The Elders owned the bog, too. And the orchards. And the houses. And the market squares. Even the garden plots.

This is why the families of the Protectorate made their shoes out of reeds. This is why, in lean times, they fed their children the thick, rich broth of the bog, hoping that the bog would make them strong.

This is why the Elders and their families grew big and strong and rosy-cheeked on beef and butter and beer.

There was a knock at the door.

"Enter," Grand Elder Gherland mumbled as he adjusted the drape of his robe.

It was Antain. His nephew. An Elder-in-Training, but only because Gherland, in a moment of weakness, promised the ridiculous boy's more ridiculous mother. But that was unkind. Antain was a nice enough young man, only thirteen. He was a hard worker and a quick study. He was good with numbers and clever with his hands and could build a comfortable bench for a tired Elder as quick as breathing. And despite himself, Gherland found himself developing an inexplicable, and growing, fondness for the boy.


Antain had big ideas. Grand notions. And questions. Gherland furrowed his brow. Antain was--how could he put it?--overly keen. If this kept up, he'd have to be dealt with, blood or no.

"Uncle Gherland!" Antain nearly bowled his uncle over with his insufferable enthusiasm.

"Calm yourself, boy!" the Elder snapped. "This is a solemn occasion!"

The boy calmed visibly, his doglike face tilted toward the ground. Gherland resisted the urge to pat him gently on the head. "I have been sent," Antain continued in a soft voice, "to tell you that the other Elders are ready. And all the populace waits along the route. Everyone is accounted for."

"Each one? There are no shirkers?"

"After last year, I doubt there ever will be shirkers again," Antain said with a shudder.

"Pity." Gherland checked his mirror again, touching up his rouge. He rather enjoyed teaching the occasional lesson to the citizens of the Protectorate. It clarified things. He tapped the sagging folds under his chin and frowned. "Well, nephew," he said, with an artful swish of his robes, one that took him over a decade to perfect. "Let us be off. That baby isn't going to sacrifice itself, after all." And he flowed into the street with Antain stumbling at his heels, a perplexed expression drawn across his mouth.

NORMALLY, the Day of Sacrifice came and went with all the pomp and gravity that it ought. The children were given over without protest. Their numb families mourned in silence, with pots of stew and nourishing foods heaped into their kitchens and the comforting arms of neighbors circled around them to ease their bereavement.

Normally, no one broke the rules.

But not this time.

Grand Elder Gherland pressed his lips into a frown. He could hear the mother's howling before the procession turned onto the final street. The citizens began to shift uncomfortably where they stood.

When Gherland threw open the front door to the family's house, an astonishing sight met the Council of Elders. Their first sight was of a man with a scratched-up face and a swollen lower lip and bloody bald spots across his skull where his hair had been torn out in clumps. He tried to smile, but his tongue went instinctively to the gap where a tooth had just recently been. He sucked in his lips and attempted to bow instead.

"I am sorry, sirs," the man said--the father, presumably. "I don't know what has gotten into her. It's like she's gone mad."

From the rafters above them, a woman screeched and howled as the Elders entered the house. Her shiny black hair flew about her head like a nest of long, writhing snakes. She hissed and spat like a cornered animal. She clung to the ceiling beams with one arm and one leg, while holding a baby tightly against her breast with the other arm.

"GET OUT!" she screamed. "You cannot have her. I spit on your faces and curse your names. Leave my home at once, or I shall tear out your eyes and throw them to the crows!"

The Elders stared at her, open-mouthed. They couldn't believe it. No one fought for their doomed children. It wasn't done.

(Antain alone began to cry, but did his best to hide it from the adults in the room.)

Gherland affixed a kindly expression on his craggy face. He turned his palms toward the mother to show her that he meant no harm. He gritted his teeth. All this kindness was nearly killing him

"We are not taking her at all, my poor, misguided girl," Gherland said in his most patient voice. "The Witch is taking her."

The mother made a guttural sound, deep in her chest, like an angry bear.

Gherland laid his hand on the shoulder of the perplexed husband and gave a gentle squeeze. "It appears, my good fellow, that your wife has gone mad." He did his best to cover his rage with a facade of concern. "A rare case, of course, but not without precedent. We must respond with compassion. She needs care, not blame."

"LIAR," the woman spat. The child began to cry, and the woman climbed even higher, putting each foot on parallel rafters and bracing her back against the slope of the roof, trying to position herself in such a way that she could remain out of reach while she nursed the baby. The child calmed instantly. "If you take her," she said with a growl, "I will find her. I will find her and take her back. You see if I won't."

"And face the Witch?" Gherland laughed. "All on your own? Oh, you pathetic lost soul." His words were honey, but his face was a glowing ember. "Grief has made you lose your senses. It has shattered your poor mind. No matter. We shall heal you, dear, as best we can. Guards!"

He snapped his fingers and armed guards poured into the room. They were a special unit, provided as always by the Sisters of the Star. They wore bows and arrows slung across their backs and short, sharp swords sheathed at their belts. Their long braided hair looped around their waists where it was cinched tight--a testament to their many years of contemplation and combat-training at the top of the Tower. Their faces were implacable as stones, and the Elders, despite their power and stature, edged away from them.

"Remove the child from the lunatic's clutches and escort the poor dear to the Tower," Gherland ordered. He glared at the mother in the rafters, who had gone suddenly very pale. "The Sisters of the Star know what to do with broken minds, my dear. I'm sure it hardly hurts at all."

The Guard was efficient, calm, and utterly ruthless. The mother didn't stand a chance. Within moments, she was bound, hobbled, and carried away. Her howls echoed through the silent town, ending suddenly when the Tower's great wooden doors slammed shut, locking her inside.

The baby, on the other hand, once transferred into the arms of the Grand Elder, whimpered briefly and then turned her attention to the sagging face in front of her, all wobbles and creases and folds. She had a solemn look to her--calm, skeptical, and intense, making it difficult for Gherland to look away. He deepened his frown and leaned in close, wrinkling his brow. The baby stuck out her tongue.

Horrible child, Gherland thought. He didn't care for her impudent face, and he certainly didn't like that curious birthmark on her forehead in the shape of a crescent moon. Common lore insisted that children born with such a mark were blessed--but the baby's mother had a similar mark, and look what was happening to her. Gherland was not sorry that this child, in particular, was heading on that long journey into the woods, from which she would never return. The last thing he needed was anyone in his town developing anything resembling spunk.

"Gentlemen," Gherland said with all the ceremony he could muster, "it is time." The baby chose this particular moment to let loose a large, warm, wet stain across the front of Gherland's robes. He pretended not to notice, but inwardly he fumed.

She had done it on purpose. He was sure of it. What a revolting baby.

The procession was, as usual, somber, slow, and insufferably plodding. Gherland felt he might go mad with impatience. Once the Protectorate's gates closed behind them, though, and the citizens returned with their broods of children to their sad little homes, the Elders quickened their pace.

"But why are we running, Uncle?" Antain asked.

"Hush, boy!" Gherland hissed. "And keep up!"

No one liked being in the forest, away from the Road. Not even the Elders. Not even Gherland. The area just outside the Protectorate walls was safe enough. In theory. But everyone knew someone who accidentally wandered too far. And fell into a sink hole. Or stepped in a mud pot, boiling off most of their skin. Or wandered into a hollow where the air was bad, and never returned. The forest was dangerous.

They followed a winding trail to the small hollow surrounded by five ancient trees, known as the Witch's Handmaidens. Or six. Didn't it used to be five? Gherland glared at the trees, counted them again, and shook his head. There were six. No matter. The forest was just getting to him, that was all. Those trees were almost as old as the world, after all.

The space inside of the trees was mossy and soft, and the Elders laid the child upon it, doing their best not to look at her. They lifted their gaze to the craggy branches and the slivers of sky peeking between the leaves. They had turned their backs on the child and started to hurry away when their youngest member cleared his throat.

"So. We just leave her here?" Antain asked. "That's how it's done?"

"Yes, nephew," Gherland said. "That is how it's done." He felt a sudden wave of fatigue settling on his shoulders like an ox's yoke. He felt his spine start to sag.

Antain pinched his neck--a nervous habit that he couldn't break. "Shouldn't we wait for the Witch to arrive?"

The other Elders fell into an uncomfortable silence.

"Come again?" Elder Raspin, the most decrepit of the Elders, asked.

"Well, surely," Antain's voice trailed off. "Surely we must wait for the Witch," he said quietly. "What would become of us if wild animals came first and carried her off?"

The other Elders stared at the Grand Elder, their lips tight.

"Fortunately, nephew," he said quickly, leading the boy away, "that has never been a problem."

"But--" Antain said, craning his neck back.

"But nothing," Gherland said, a firm hand on the boy's back, striding quickly down the well-trodden path.

And, one by one, the Elders filed out, leaving the baby behind.

They left knowing--all but Antain--that it was not a matter of if the child were eaten by animals, but rather that she surely would be.

They left her knowing that there surely wasn't a Witch. There never had been a Witch. There was only a dangerous forest and a single road and a thin grip on a life that the Elders had enjoyed for generations. The Witch--that is, the belief in her--made for a frightened people, a subdued people, a compliant people. They lived their lives in a saddened haze, the clouds of their grief numbing the senses and dampening the mind. It was terribly convenient to the Elders' unencumbered rule. Unpleasant, too, of course, but that couldn't be helped.

They heard the child whimper as they tramped through the trees, but the whimpering soon gave way to the swamp sighs and bird song and the woody creaking of the trees throughout the forest. And each Elder felt as sure as sure could be that the child wouldn't live to see the morning, and that they would never hear her, never see her, never think of her again.

They thought she was gone forever.

They were wrong, of course.

Excerpted from The Girl Who Drank the Moon by Kelly Barnhill
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Winner of the 2017 Newbery Award The New York Times Bestseller An Entertainment Weekly Best Middle Grade Book of 2016 A New York Public Library Best Book of 2016 A Chicago Public Library Best Book of 2016 An Amazon Top 20 Best Book of 2016 A Publishers Weekly Best Book of 2016 A School Library Journal Best Book of 2016 Named to Kirkus Reviews' Best Books of 2016 2017 Booklist Youth Editors' Choice Every year, the people of the Protectorate leave a baby as an offering to the witch who lives in the forest. They hope this sacrifice will keep her from terrorizing their town. But the witch in the Forest, Xan, is kind. She shares her home with a wise Swamp Monster and a Perfectly Tiny Dragon. Xan rescues the children and delivers them to welcoming families on the other side of the forest, nourishing the babies with starlight on the journey. One year, Xan accidentally feeds a baby moonlight instead of starlight, filling the ordinary child with extraordinary magic. Xan decides she must raise this girl, whom she calls Luna, as her own. As Luna's thirteenth birthday approaches, her magic begins to emerge--with dangerous consequences. Meanwhile, a young man from the Protectorate is determined to free his people by killing the witch. Deadly birds with uncertain intentions flock nearby. A volcano, quiet for centuries, rumbles just beneath the earth's surface. And the woman with the Tiger's heart is on the prowl . . . The Newbery Medal winner from the author of the highly acclaimed novel The Witch's Boy .

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