Return to Sender
Return to Sender
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Annotation: After his family hires migrant Mexican workers to help save their Vermont farm from foreclosure, eleven-year-old Tyler befriends the oldest daughter, but when he discovers they may not be in the country legally, he realizes that real friendship knows no borders.
Catalog Number: #4738136
Format: Paperback
All Formats: Search
Publisher: Dell Yearling
Copyright Date: 2009
Edition Date: 2009
Pages: 325 pages
Availability: Available
ISBN: 0-375-85123-2
ISBN 13: 978-0-375-85123-0
Dewey: Fic
Dimensions: 21 cm.
Language: English
Reviews:
ALA Booklist
With quiet drama, Alvarez tells a contemporary immigration story through the alternating viewpoints of two young people in Vermont. After 11-year-old Tyler's father is injured in a tractor accident, the family is in danger of losing their dairy farm. Desperate for help, Tyler's family employs Mari's family, who are illegal migrant Mexican workers. Mari writes heartrending letters and diary entries, especially about Mamá, who has disappeared during a trip to Mexico to visit Mari's dying abuelita. Is Mamá in the hands of the border-crossing "coyotes"? Have they hurt her? Will Homeland Security (la migra) raid the farm? The plot is purposive, with messages about the historical connections between migrant workers today and the Indians' displacement, the Underground Railroad, and earlier immigrants seeking refuge. But the young people's voices make for a fast read; the characters, including the adults, are drawn with real complexity; and the questions raised about the meaning of patriotism will spark debate.
Horn Book
After an accident injures Tyler's father, their farm is in danger of folding--until a family of Mexican immigrants (some illegal) comes to help. Tyler befriends Mari, the oldest daughter, and helps the family reunite with Mari's mother, to whom Mari writes heartfelt letters. The various relationships are complicated and nuanced, and the issues Alvarez raises will give readers pause.
Kirkus Reviews
Tyler is the son of generations of Vermont dairy farmers. Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler's father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari's family. As Tyler and Mari's friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez's novel effectively complicates simple equivalencies between what's illegal and what's wrong. Mari's experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities. Though it lacks nuance, still a must-read. (Fiction. 9-11)
Publishers Weekly

After Tyler’s father’s accident, his family hires undocumented Mexican workers in a last-ditch effort to keep their Vermont farm. Despite his reservations, Tyler soon bonds with a worker’s daughter, who is in his sixth-grade class. His problems seem small compared to Mari’s: her family fears deportation, and her mother has been missing since re-entering the States months ago. While this novel is certainly issue-driven, Alvarez (Before We Were Free) focuses on her main characters, mixing in Mexican customs and the touching letters that Mari writes to her mother, grandmother and even the U.S. president. Readers get a strong sense of Tyler’s growing maturity, too, as he navigates complicated moral choices. Plot developments can be intense: Mari’s uncle lands in jail, and her mother turns out to have been kidnapped and enslaved during her crossing. Some characters and sentiments are over-the-top, but readers will be moved by small moments, as when Tyler sneaks Mari’s letter to her imprisoned uncle, watching as the man puts his palm on the glass while Tyler holds up the letter from the other side. A tender, well-constructed book. Ages 8–12. (Jan.)

School Library Journal
Gr 47 Sixth-grader Tyler Paquette lives in a dairy-farming community in Vermont. His father was injured in a tractor accident and must now turn to undocumented Mexican laborers to run the farm. Thus, a trailer on the property soon becomes home to the Cruz familysixth-grader Mari, her two younger sisters, father, and two uncles, all needing work to survive and living with fear of la migra . They have had no word on Mari's mother, missing now for several months. Tyler and Mari share an interest in stargazing, and their extended families grow close over the course of one year with holiday celebrations and shared gatherings. Third-person chapters about Tyler alternate with Mari's lengthy, unmailed letters to her mother and diary entries. Touches of folksy humor surface in the mismatched romance of Tyler's widowed Grandma and cranky Mr. Rossetti. When "coyotes" contact Mr. Cruz and set terms for his wife's freedom, Tyler secretly loans the man his savings, then renegotiates a promised birthday trip in order to accompany Mari to North Carolina to help rescue her abused mother. When immigration agents finally raid the farm and imprison both Cruz parents, it signals an end to the "el norte" partnership, but not the human connections. This timely novel, torn right from the newspaper headlines, conveys a positive message of cooperation and understanding. Susan W. Hunter, Riverside Middle School, Springfield, VT
Word Count: 71,721
Reading Level: 5.5
Interest Level: 4-7
Accelerated Reader: reading level: 5.5 / points: 11.0 / quiz: 127752 / grade: Middle Grades
Lexile: 890L
Guided Reading Level: Z
Fountas & Pinnell: Z
Tyler looks out the window of his bedroom and can't believe what he is seeing.
He rubs his eyes. Still there! Some strange people are coming out of the trailer where the hired help usually stays. They have brown skin and black hair, and although they don't wear feathers or carry tomahawks, they sure look like the American Indians in his history textbook last year in fifth grade.
Tyler rushes out of his room and down the stairs. In the den his father is doing his physical therapy exercises with Mom's help. The TV is turned on; Oprah is interviewing a lady who has come back from having died and is describ-ing how nice it is on the other side. "Dad," Tyler gasps. "Mom!"
"What is it? What is it?" Mom's hand is at her heart, as if it might tear out of her chest and fly away.
"There's some Indians trespassing! They just came out of the trailer!"
Dad is scrambling up from the chair, where he has been lifting a weight Mom has strapped to his right leg. He lets himself fall back down and turns the TV to mute with the remote control. " 'Sokay, boy, quiet down," he says. "You want to kill your mom with a heart attack?"
Before this summer, this might have been a joke to smile at. But not anymore. Mid-June, just as school was letting out, Gramps died of a heart attack while working in his garden. Then, a few weeks later, Dad almost died in a farm accident. Two men down and Tyler's older brother, Ben, leaving for college this fall. "You do the math," his mom says whenever the topic comes up of how they can continue farming. Tyler has started thinking that maybe their farm is jinxed. How many bad things need to happen before a farm can be certified as a bad-luck farm?
"But shouldn't we call the police? They're trespassing!" Tyler knows his dad keeps his land posted, which means put-ting up signs telling people not to come on his property without permission. It's mostly to keep out hunters, who might mistakenly shoot a cow or, even worse, a person.
"They're not exactly trespassing," his mom explains, and then she glances over at Dad, a look that means, You explain it, honey. 
"Son," his dad begins, "while you were away . . ."
In the middle of the summer, Tyler was sent away for a visit to his uncle and aunt in Boston. His mom was worried about him.
"He's just not himself," Tyler overheard Mom tell her sister, Roxanne, on the phone. "Very mopey. He keeps having nightmares. . . ." Tyler groaned. Nothing like having his feelings plastered out there for everyone to look at. 
Of course Tyler was having nightmares! So many bad things had happened before the summer had even gotten started. 
First, Gramps dying would have been bad enough. Then, Dad's horrible accident. Tyler actually saw it happen. Afterward, he couldn't stop playing the moment over and over in his head: the tractor climbing the hill, then doing this kind of weird backflip and pinning Dad underneath. Tyler would wake up screaming for help. 
That day, Tyler rushed into the house and dialed 911. Otherwise, the paramedics said, his father would have died. Or maybe Dad would have been brought back to life to be on Oprah talking about the soft music and the bright lights. 
It was amazing that Dad was still alive, even if it looked like his right arm would be forever useless and he'd always walk with a limp. His face was often in a grimace from the pain he felt.
But the very worst part was after Dad got home and Tyler's parents seriously began to discuss selling the farm. Mostly, it was his mom. His dad hung his head like he knew she was right but he just couldn't bear to do the math one more time himself. "Okay, okay," he finally said, giving up.
That was when Tyler lost it. "You can't sell it! You just can't!"
He had grown up on this farm, as had his dad before him, and Gramps and his father and grandfather before that. If they left their home behind, it'd be like the Trail of Tears Tyler learned about in history class last year. How the Cherokee Indians had been forced from their land to become migrants and march a thousand miles to the frontier. So many of them had died.
"Tiger, honey, remember our talk," Mom reminded him pleasantly enough in front of Dad. Tiger is what his mom calls him when she is buttering him up. Before his father came home from the hospital, his right leg and arm still in a cast, Mom sat Tyler and his older brother and sister down for a talk. She explained that they must all do their part to help Dad in his recovery. No added worries (looking over at Ben, eighteen going on I'm-old-enough-to-do-what-I-want). No scenes (looking over at Sara, fifteen with a boyfriend, Jake, and "Saturday night fever" seven nights a week, as his dad often joked, back when he used to joke). No commotion (looking over at Tyler, who as the youngest sometimes had to make a commotion just to be heard). They must all keep Dad's spirits up this summer.
But Tyler knew for a fact that selling the farm would kill his dad. It would kill Tyler!

Excerpted from Return to Sender by Julia Alvarez
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

An award-winning, moving, and timely story about the families of undocumented workers by renowned author Julia Alvarez.
 
After Tyler’s father is injured in a tractor accident, his family is forced to hire migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn’t sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected to her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences?
 
In a novel full of hope, but with no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it.
 
Winner of the Pura Belpré Award
Winner of the Américas Award
An NCSS-CBC Notable Children’s Trade Book in the Field of Social Studies
 
“A must-read.” —Kirkus Reviews
 
“Communicates in compassionate and expressive prose the more difficult points of perhaps the most pressing social issue of our day.” —San Antonio Express-News

“This timely novel, torn right from the newspaper headlines, conveys a positive message of cooperation and understanding.” —School Library Journal
 
“The plot is purposive, with messages about the historical connections between migrant workers today and the Indians’ displacement, the Underground Railroad, and earlier immigrants seeking refuge. . . . The questions raised about the meaning of patriotism will spark debate.” —Booklist
 
“A tender, well-constructed book.” —Publishers Weekly


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