Midnight Beauties
Midnight Beauties

Series: Grim Lovelies Vol. 2   

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Annotation: Seventeen-year-old Anouk is forced into a sinister deal with Crown Prince Rennar in order to help her friends, who are trapped in their animal forms, and save Paris from the Coven at Oxford.
Catalog Number: #192364
Format: Publisher's Hardcover
No other formats available
Special Formats: Hot Title Hot Title
Publisher: Houghton Mifflin
Copyright Date: 2019
Edition Date: 2019
Pages: 437 pages
Availability: Available
New Title: Yes
ISBN: 1-328-81190-5
ISBN 13: 978-1-328-81190-5
Dewey: Fic
LCCN: 2018060799
Dimensions: 22 cm.
Language: English
ALA Booklist
Six weeks after the battle that concluded Grim Lovelies (2018), Anouk is the only member of her Beastie family left in human form. Cricket, Luc, and Hunter Black are being held captive as animals by Paris Royal Prince Rennar, who will free them if Anouk agrees to marry him. Though she accepts his proposal, she does so on her own terms, one of which is that she be given the opportunity to walk the Coal Baths that can transform her into a fully fledged witch. As Anouk makes the harrowing journey to the Cottage to undergo its magic trials, an ancient plague, believed to have been unleashed by the Oxford Coven, wreaks havoc on London. Shepherd ably manages to keep tension and steady movement within a plot enriched by political machinations and world building. This is largely due to the countdown of time available to Anouk, Rennar, and the Beastie gang to stop the plague from spreading. Exciting action scenes and unexpected personal revelations and character relationships combine to form a tantalizing conclusion to Shepherd's duology.
Kirkus Reviews
A girl struggles with what she is: not animal, not human, not witch.The conclusion to Shepherd's (Grim Lovelies, 2018, etc.) duology begins six weeks after the siege of Montélimar. Rennar's crows surround Anouk's home, where she is now trapped, her plans to study magic at an academy having stalled. When Rennar, crown prince of the Shadow Royals, shows up at her door, a shoe missing and fear in his eyes, something is clearly wrong. Despite her suspicions, Anouk bargains with him for a chance to rescue her friends, become a witch, and gain power. Readers familiar with the first volume will enjoy this final leg of Anouk's journey in which enemies become family and the powerless become powerful. Her transformation is the central theme of the story: Anouk feels "tired of living in a world where girls were so expendable." The love triangle skews toward the boy who offers the more emotionally healthy choice, though he is prone toward saccharine declarations. Moving from Paris to London, the story highlights major landmarks that help ground readers in the setting. Sexual diversity features prominently, from a trans character from the last book taking on a larger role to the heartache of a gay boy in love with his straight, male best friend. Although many of the witches and Royals tend toward white, there are a few racially diverse characters.A satisfying conclusion. (Urban fantasy. 13-18)
Reviewing Agencies: - Find Other Reviewed Titles
ALA Booklist (7/1/19)
Kirkus Reviews
Reading Level: 7.0
Interest Level: 9-12
Lexile: HL740L

Chapter 1

There was blood everywhere, even in her hair.
     Anouk tripped through fallen leaves in gold-studded Goblin boots two sizes too small, the laces undone, the novelty tread leaving bloodstained prints in the smeared shape of hearts. Her leather shorts were ripped. Her velvet jacket was punctured once in the sleeve and twice near her ribs. Blood oozed down her side.
     The birds were right behind her.
     One crow swept down from a lamppost in a flurry of black wings, going for her ear. Its beak sliced her cheek. She swatted at it, but its talons snagged in her hair or, rather, in the blue wig she wore. The wig slid forward over her eyes, blinding her. She pulled it off and threw it--​tangled crow and all--​into a sewer grate and raced ahead.
     Toward 18 Rue des Amants.
     The former residence of a witch, the townhouse was now hers. Her home. Her haven. Or, since Prince Rennar had set his winged spies on her, more like her prison. Her hair had become a sweaty mess beneath the wig, clinging to her neck and face. Another crow launched itself at her back. Talons ripped at her clothes. She grabbed the railing to the stairs. Just a few more steps. The Goblins were inside, faces pressed against the townhouse windows, motioning for her to hurry.
     A crow landed on her shoulder, its talons piercing through the velvet jacket. Pain exploded in her arm. She faltered on the steps. She would have used a spell against it, except that her bag of ingredients was the first thing the crows had gone for, knowing that without it, she was no more powerful than the Pretty tourists strolling down the street, magically oblivious to Anouk's distress.
     Gasping, she grabbed the crow by its wing and yanked with all her strength.
     "Let go!"
     She hurled the crow against the steps and, before it could take wing again, yanked open the townhouse's front door, threw herself inside, and slammed it closed behind her.
     She collapsed against the door, breathing hard.
     The townhouse was protected with a spell so ancient that it hadn't been broken at Mada Vittora's death, unlike most of her other enchantments. It was the only thing keeping Rennar and his crows out, which unfortunately meant that to be safe, Anouk had to stay in. Over the past six weeks, she and Viggo and the two dozen Goblins who had survived the siege of Montélimar might as well have been prisoners. The first time she'd tried to leave was two days after the siege; she'd needed baguettes to feed the hungry Goblins. The crows had been waiting in the trees. They attacked her as soon as she crossed the first step. She'd barely made it back inside in one piece.
     The second time she'd tried to leave, she waited until night fell, when it was foggy and hard to see more than three feet on either side. That time she made it ten steps before they spotted her. They would have dug in their talons and dragged her all the way to Castle Ides if Viggo hadn't hurled an empty gin bottle at them and pulled Anouk back inside.
     The third time, she'd brought knives. Many, many knives, hidden in pockets and strapped to her belt. But the crows were fast enough to dodge them, their own talons just as sharp.
     Today, she'd thought she stood a chance, that the Goblin disguise--​the blue wig, the punk boots, and the velvet jacket--​would be enough to conceal her identity from the birds. They were merely Rennar's pawns, after all, just dull-witted spies.
     But they'd still known.
     She'd made it only five steps.
     The sound of a tap-tap-tap came from the foyer. She opened her eyes. Viggo stood in the hallway. He leaned heavily on a cane. His face was pale. It was a wonder he'd survived at all after losing six pints of blood, but he was tougher than his black eyeliner and slouchy hat made him look. He'd nearly recovered in the six weeks since the siege.
     "I take it the disguise didn't fool them," he said.
     She slid him a frigid glare.
     Blood rolled down her fishnet tights, over her studded boots, and onto the floor. Her tawny hair was knotted. A few blue strands from the ripped wig still clung to the buttons of her jacket. The wounds in her side throbbed. She straightened and took a lurching step forward. Her legs gave out and she started to collapse, but Viggo dropped his cane and grabbed her around the waist.
     "Help me to the kitchen," she said, grimacing.
     Together they hobbled through the townhouse's grand hallways. They passed the library and the salon, which were littered with signs of her guests--​spilled tea, threadbare hats. Goblins peered at her through doorways, their stomachs audibly growling, their faces full of false smiles as they tried to hide their disappointment that she'd failed once again. She narrowly avoided tripping over a butterfly net as Viggo helped her into the kitchen, where she'd spent so many early mornings baking bread and so many late nights scrubbing dishes. She grabbed a dish towel, turned on the hot water, and plunged her hands into the sink. Steam rose around her. She scrubbed the blood and feathers from her arms, revealing fresh wounds and old wounds--​now crude scars--​from her previous attempts to leave the townhouse.
     "Shall I bandage those for you?" Viggo asked, pulling out a roll of gauze from a drawer.
     "No, I'll take care of it myself. Just hand me that mint."
     He held out the potted mint plant and she crushed a few leaves between her fingers, then swallowed them whole. She ripped off a strand of fake blue hair that was caught in her buttons, laid it over the wound on her left arm, and whispered, "Attash betit truk."
     Warm magic prickled over her skin in a way that was half pleasant, half unbearably itchy. The sides of the cut started to pull together as the strand of blue hair plunged in and out of her skin, stitching the wound closed. Attash betit truk was a spell for fixing loose buttons, not mending flesh, but true healing spells required stronger magic than Anouk was capable of. When she finished, the wound was ugly but it had stopped bleeding. She peeled off her shirt and performed the same spell with the puncture wound on her shoulder. Viggo hobbled upstairs and came back with one of Mada Vittora's robes. It was made of charmeuse silk and worth a small fortune. But what use did a dead witch have for couture?
     Anouk pulled on the robe.
     She boiled water for a cup of tea to settle her nerves. Not that it would help. Her hands kept shaking. Her stomach growled. She caught her reflection in the curved copper kettle. Goodness, she looked a fright. December had painted full Goblin makeup on her: glittering gold eyeliner, pale pink hearts on her cheeks, black lipstick. Now the blush was smeared and there was glitter everywhere. She scrubbed her face in the sink, then pulled her tangled hair into a ponytail, and she felt a little more like herself.
     Viggo stood awkwardly at her side. "We'll try again tomorrow. It's supposed to storm. If it rains hard enough, maybe the birds won't come."
     "Rain's never kept them away before." She leaned on the counter and closed her eyes. It had been six weeks of trying to divide every last morsel of stale bread twenty-five ways. Six weeks of living with Goblins who blared The Clash at full volume at first light of dawn. Six weeks of hunger. Six weeks of crows.
     Six weeks of a dog by her side instead of Beau.
     There had been five of them--​five beasties. An owl, a dog, a cat, a mouse, and a wolf, all of whom had been enchanted into people with their own quirks: Anouk, Beau, Cricket, Luc, and Hunter Black. Now only Anouk remained human. The others were cursed to live in their animal forms, and all of them except for Beau were imprisoned in Castle Ides.
     She'd tried everything to help them. After the siege of Montélimar, she decided to go to the academy in the Black Forest of Bavaria known as the Cottage where a girl could train in magic and, if she worked hard, possibly transform herself into a witch. She'd be powerful enough to turn Beau and Cricket and Luc and Hunter Black--​assuming he was even still alive--​human again. Even Prince Rennar would have no choice but to bow before her.
     She'd studied maps of Bavaria. She'd learned a smattering of German. She'd squirreled away valuables to trade for money to buy passage. But her weeks of preparation meant nothing if she couldn't get past the front steps.
     She sank onto a wooden stool and buried her head in her hands. A cloud of dust rose around her. The kitchen, like everything else, was a disaster. Crumbs everywhere, pantry shelves bare, dirty dishes stacked in moldering piles, blue eye shadow streaked on the stove. (She hadn't bothered to ask about that one.) She felt like the only adult in a houseful of children, never mind that she'd been human for only one year and the Goblins had lived centuries. It was no longer her job to clean, and yet she often found herself with a rag in her hand, brushing crumbs into the wastebasket. Frustrating as the Goblins could be, they had no other place to go. They'd been lucky to make it back to the townhouse at all. Not everyone had. The memory of Tenpenny transformed into stone, then exploded into dust, flashed darkly in her mind.
     She heard a clicking on the tile, and then a wet snout pushed into her knee. She blinked at the big brown eyes studying her. The dog had tracked in mud and left dirty paw prints all over the kitchen floor. She sighed as she scratched him behind his ears. "You know, Little Beau, when you were a boy, you were much tidier. Well, not really, but let's pretend."
     When Beau was human, his eyes had been blue. There was nothing of the dog to make her think of her friend, except perhaps the way he cocked his head as though he were trying to figure out her thoughts. What would he see now tumbling around in her brain?
     The dog licked her nose.
     She sighed and looked at Viggo. "We can't go on like this, Viggo. Look at Beau! And Cricket and Luc and . . . and Hunter Black. They're depending on me." Viggo's face paled at the mention of Hunter Black. Last they had seen of him, he'd been in wolf form, bleeding out and left for dead. Anouk looked toward the bare pantry. "Not to mention we're going to starve if we stay here."
     Viggo gazed into the pantry wistfully. "I tried ordering a pizza. It never came. Rennar must have even gotten to the delivery boys."
     An odd-sounding thump suddenly came from the front door, startling Anouk. It was heavier than the usual crisp tap of the knocker. Little Beau growled and ran out of the kitchen, barking.
     December, the closest thing the Goblins had to a leader since Tenpenny had died, called from the foyer, "Um, Anouk? You might want to see this."
     Viggo shifted his cane to his other hand. "Are we expecting visitors?"
     "Of course not." Anouk wiped at a smear of blood on the robe's sash. "Everyone we know is either captured or dead."
     The dog barked louder. Viggo and Anouk exchanged a look, then Anouk pushed up from the stool and cautiously entered the foyer. A dozen Goblins were at the front window, faces pressed to the glass. The house seemed suddenly very quiet, and Anouk realized that whatever was happening outside was serious enough that the Goblins had shut off the music. And they never turned off The Clash.
     December turned away from the window and bit her blue-tinted lips in worry. Anouk's pulse raced. She swallowed her own trepidation and approached the door. The cane stopped thumping as Viggo reached the foyer and joined her.
     Anouk pressed her eye to the peephole.
     Behind her, Viggo said, "I'm guessing it isn't the pizza."

Excerpted from Midnight Beauties by Megan Shepherd
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

The witches, beasties, goblins, and Royals return in this spellbinding conclusion to New York Times best-selling author Megan Shepherd's Grim Lovelies duology. Ever since she discovered her affinity for magic, seventeen-year-old Anouk has been desperate to become a witch. It's the only way to save her friends who, like Anouk, are beasties: animals enchanted into humans. But unlike Anouk, the other beasties didn't make it out of the battle at Montélimar in one piece. With her friends now trapped in their animal forms, Anouk is forced into a sinister deal involving a political marriage with her sworn enemy, a wicked plot to overthrow London's fiercest coven of witches, and a deadly trial of fire to become a witch. The price for power has always been steep in the world of the Haute. Now, it will cost Anouk everything. Wicked and delightful, this spellbinding sequel and conclusion to Grim Lovelies is perfect for fans of The Cruel Prince and The Hazelwood Wood.

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