Jordan Banks takes readers down the rabbit hole and into his mostly white prep school in this heartbreakingly accurate middle-grade tale of race, class, microaggressions, and the quest for self-identity.He may be the new kid, but as an African-American boy from Washington Heights, that stigma entails so much more than getting lost on the way to homeroom. Riverdale Academy Day School, located at the opposite end of Manhattan, is a world away, and Jordan finds himself a stranger in a foreign land, where pink clothing is called salmon, white administrators mistake a veteran African-American teacher for the football coach, and white classmates ape African-American Vernacular English to make themselves sound cool. Jordan's a gifted artist, and his drawings blend with the narrative to give readers a full sense of his two worlds and his methods of coping with existing in between. Craft skillfully employs the graphic-novel format to its full advantage, giving his readers a delightful and authentic cast of characters who, along with New York itself, pop off the page with vibrancy and nuance. Shrinking Jordan to ant-sized proportions upon his entering the school cafeteria, for instance, transforms the lunchroom into a grotesque Wonderland in which his lack of social standing becomes visually arresting and viscerally uncomfortable.An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America. (Graphic fiction. 10-14)

Riverdale Academy Day School is every parent-s dream for their child: it has a beautiful sprawling campus, a rigorous academic curriculum, and ample extracurricular activities. It-s also distinctly lacking in diversity. African-American new kid Jordan Banks would rather go to art school, but his parents have enrolled him, so he dutifully commutes to the Bronx from his home in Washington Heights, Manhattan. When he-s not being confused with the few other students of color, he is being spoken to in slang, is receiving looks when financial aid is mentioned, or is forced to navigate many more micro-aggressions. Artwork by Craft interweaves the story with Jordan-s sketchbook drawings, which convey the tension of existing in two markedly different places. The sketches show him being called -angry- for his observations, feeling minuscule in a cafeteria, and traveling by public transportation across different socioeconomic and racially segregated neighborhoods, changing his outfit and demeanor to fit in. This engaging story offers an authentic secondary cast and captures the high jinks of middle schoolers and the tensions that come with being a person of color in a traditionally white space. Ages 8-12. Agent: Judy Hansen, Hansen Literary. (Feb.)

Jordan Banks takes readers down the rabbit hole and into his mostly white prep school in this heartbreakingly accurate middle-grade tale of race, class, microaggressions, and the quest for self-identity.He may be the new kid, but as an African-American boy from Washington Heights, that stigma entails so much more than getting lost on the way to homeroom. Riverdale Academy Day School, located at the opposite end of Manhattan, is a world away, and Jordan finds himself a stranger in a foreign land, where pink clothing is called salmon, white administrators mistake a veteran African-American teacher for the football coach, and white classmates ape African-American Vernacular English to make themselves sound cool. Jordan's a gifted artist, and his drawings blend with the narrative to give readers a full sense of his two worlds and his methods of coping with existing in between. Craft skillfully employs the graphic-novel format to its full advantage, giving his readers a delightful and authentic cast of characters who, along with New York itself, pop off the page with vibrancy and nuance. Shrinking Jordan to ant-sized proportions upon his entering the school cafeteria, for instance, transforms the lunchroom into a grotesque Wonderland in which his lack of social standing becomes visually arresting and viscerally uncomfortable.An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America. (Graphic fiction. 10-14)

*Starred Review* Don't let the title fool you. Seventh-grader Jordan Banks may be the new kid at his upper-crust private school, but this remarkably honest and accessible story is not just about being new; it's unabashedly about race. Example after uncomfortable example hits the mark: casual assumptions about black students' families and financial status, black students being mistaken for one another, well-intentioned teachers awkwardly stumbling over language, competition over skin tones among the black students themselves. Yet it's clear that everyone has a burden to bear, from the weird girl to the blond boy who lives in a mansion, and, indeed, Jordan only learns to navigate his new world by not falling back on his own assumptions. Craft's easy-going art and ingenious use of visual metaphor loosen things up considerably, and excerpts from Jordan's sketch book provide several funny, poignant, and insightful asides. It helps keep things light and approachable even as Jordan's parents tussle over the question of what's best for their son follow the world's harsh rules so he can fit in or try to pave his own difficult road. A few climactic moments of resolution feel a touch too pat, but Craft's voice rings urgent and empathetic. Speaking up about the unrepresented experience of so many students makes this a necessary book, particularly for this age group. Possibly one of the most important graphic novels of the year.