Gr 5-9-Hale's novelization of the relatively obscure Grimm Brothers' fairy tale "Maid Maleen" is quite an improvement over the original. Rather than merely adding flesh to the Grimms' skeleton, the author has taken a few of the prominent bones (a love match thwarted by an autocratic king, the princess and her maid condemned to a tower for seven years, the country a wasteland when they finally escape) and constructed a new and far more appealing body. Lady Saren loves Khan Tegus, who rules a lesser realm, and she refuses to marry the evil man whom her father has chosen for her for political gains. The narrator, Dashti, is the princess's maid, immured in the tower almost as soon as she's found employment in the royal household. Bound to obey her mistress, Dashti is ordered to speak in her place when Tegus comes calling on their prison. Many readers will guess how that will eventually turn out, but they won't predict how Dashti and Tegus will overcome physical, political, and social obstacles to recognize their mutual love and defy convention in order to marry. Hale has created a richly imagined, mythical land something like medieval Mongolia, replete with magical song and touch therapy for spiritual or corporeal ailments, intuitive animals, and a sort of Faustian werewolf. It's a highly successful romance.-Miriam Lang Budin, Chappaqua Public Library, NY Copyright 2007 Reed Business Information. *Starred Review* The author of the Newbery Honor Book Princess Academy (2005) offers another captivating fantasy filled with romance, magic, and strong female characters. The story, based on a little-known fairy tale from the Brothers Grimm, takes place in an imagined ancient Central Asia. Orphaned Dashti is a hardworking, pragmatic girl, who grew up in the open, windswept steppes. She finds work in the city with a young noblewoman, Lady Saren. Then Lady Saren refuses an advantageous marriage, and as punishment, she and Dashti are sentenced to seven years in a sealed tower. A tiny window is the tower’s only connection to the outside world, and it’s there that Saren’s two suitors, the terrifying Khasar and the handsome Tegus, come calling. Written in diary form in Dashti’s voice, the gripping tale follows the two young women through their imprisonment and their escape into a grim world of warring societies. Readers will quickly embrace Dashti, an invincible storybook heroine with a healer’s touch, who accomplishes battlefield heroics while nurturing a powerful, secret love for a lord. Fans of Gail Carson Levin’s Fairest (2006) will embrace this similar mix of exotic, fully realized setting; thrilling, enchanted adventure; and heart-melting romance. Gr 5-9-Hale's novelization of the relatively obscure Grimm Brothers' fairy tale "Maid Maleen" is quite an improvement over the original. Rather than merely adding flesh to the Grimms' skeleton, the author has taken a few of the prominent bones (a love match thwarted by an autocratic king, the princess and her maid condemned to a tower for seven years, the country a wasteland when they finally escape) and constructed a new and far more appealing body. Lady Saren loves Khan Tegus, who rules a lesser realm, and she refuses to marry the evil man whom her father has chosen for her for political gains. The narrator, Dashti, is the princess's maid, immured in the tower almost as soon as she's found employment in the royal household. Bound to obey her mistress, Dashti is ordered to speak in her place when Tegus comes calling on their prison. Many readers will guess how that will eventually turn out, but they won't predict how Dashti and Tegus will overcome physical, political, and social obstacles to recognize their mutual love and defy convention in order to marry. Hale has created a richly imagined, mythical land something like medieval Mongolia, replete with magical song and touch therapy for spiritual or corporeal ailments, intuitive animals, and a sort of Faustian werewolf. It's a highly successful romance.-Miriam Lang Budin, Chappaqua Public Library, NY Copyright 2007 Reed Business Information.